Follow your Arrow week two

I decided to match clue 2A with my 1B, and 2B with my 1A, which would keep all the lace on one shawl and all the asymmetry on the other. Yesterday I took the train to Warrnambool and back, which gave me ample time to knit these clues. And also to take photos on the classy red train seats.

I found the lace for 2A really really boring - which didn't stop me stuffing it up the first time, and needing to rip, rip rip.

I like the idea of the garter wedges for 2B, but I'm not sure about how they actually look. I keep on telling myself to trust the process, that Ysolda knows what she's doing, that she wouldn't make us all knit Frankenstein's monster shawls, that she's not sitting there, in a castle in Scotland, rubbing her hands together and laughing evilly. Although perhaps she is...

Deep breaths. The only way to find out whether these will look goods in the end is too keep knitting. And if they don't I can always gift them to someone I don't like very much, right?

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Geogradiant MKAL Part 1 - that was unexpected (spoilers)

Stephen West released the first MKAL clue on Thursday night. I started knitting it without looking at spoilers. When I got up on Friday he had sent through an "alternative" clue one. I then went and had a look at the spoiler thread to try to work out what was going on. Which was that some people thought the pattern looked like a "German hate symbol". I knit on anyway, since I was half-way through. Then he took down the original clue, replacing it with a mitred square in garter stitch. The Ravelry forums and Instagram are a complete shit-show, even though Rav is being moderated. It's been a bit disheartening, having something that is usually quite light and fun weighed down with all this. I admire Stephen's quick and sensitive response to this drama. I also feel that anything can look like anything if you squint. To me this looks like a Celtic knot. I think mine is pretty, and I'll knit on through all crises.

Linky Wednesday - the one with the drama

The drama about the Stephen West MKAL continues, and I can't be bothered with it. It's meant to be a fun, interesting, communal knit and and that's not what this year has turned in to. Stephen has done his best in a difficult situation, but I'm just not feeling it. Meanwhile, Israel is at war, and we (as a country) are going to vote "no" on a referendum that asks for basic consideration for Aboriginal and Torres Straight Islanders. So yeah, lots of turmoil here. It's very tiring. I'm knitting a sock and considering what happens next. Luckily the reading was dramatic in a good way. I'm reading a NetGalley review copy of Last Summer at the Lake House and it's great. Super dramatic family drama about three sisters who loose their father unexpectedly and then find out that the family has secrets. I 've nearly finished it and I don't know what I'm going to read next. I've got a bit of a break between review books, so maybe Sta

Mussleburgh musings

I made a Mussleburgh hat earlier in the year, and even though I thought I was following the directions exactly it did not come out quite right. It was a little bit loose. My head is 51 cm, my gauge was 7 stitches, so according to the pattern I knit the right size. It's also a little bit shorter than I would like it. Too long for a beanie, too short for a good turn-up. I couldn't work out why. I still wore it, but it was not quite right. When I decided to knit one for Elise I knew I wanted to make it longer, and tighter. After I finished Elise's (with 24 fewer stitches) I realised something about mine: Now, this is a knit tube. I know how to knit tubes. When I make sleeves or socks, they don't balloon out in the middle. So I decided to reblock it. The instructions actually specifically say to fold it inside each other after blocking, but I probably folded it and dried it on my head, because that's how I block my hats. Not this time: Now it's longer and thinner

What I made, by Sharon

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